[Télécharger] Unsung Voices: Opera and Musical Narrative in the Nineteenth Century (Princeton Studies in Opera) de Carolyn Abbate Pdf Epub
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Unsung Voices: Opera and Musical Narrative in the Nineteenth Century (Princeton Studies in Opera) de Carolyn Abbate
Descripción - Críticas 'Abbate establishes a critical dialogue between music's desire to convey narrative information and its sensual resistance to such signification... Abbate is the most original writer on Wagner to appear since Dahlhaus... Her essay 'Brunnhilde Walks by Night' is a tour de force of imaginative interpretation.'--David Schiff, The New Republic 'This important book concerns not only particular operas but certain general aspects of the way in which we hear music... We will ... want to reflect further on a good many of its arguments ... because what Abbate offers in Unsung Voices is not only ... a set of conclusions but a powerful machine to think with.'--Lawrence Rosenwald, Opera Quarterly Reseña del editor Who 'speaks' to us in The Sorcerer's Apprentice, in Wagner's operas, in a Mahler symphony? In asking this question, Carolyn Abbate opens nineteenth-century operas and instrumental works to new interpretations as she explores the voices projected by music. The nineteenth-century metaphor of music that 'sings' is thus reanimated in a new context, and Abbate proposes interpretive strategies that 'de-center' music criticism, that seek the polyphony and dialogism of music, and that celebrate musical gestures often marginalized by conventional music analysis. Biografía del autor Carolyn Abbate is Professor of Music at Princeton University. She is the editor of Analyzing Opera and the author of Richard Wagner: Tristan.
Detalles del Libro
- Name: Unsung Voices: Opera and Musical Narrative in the Nineteenth Century (Princeton Studies in Opera)
- Autor: Carolyn Abbate
- Categoria: Libros,Arte, cine y fotografía,Música
- Tamaño del archivo: 14 MB
- Tipos de archivo: PDF Document
- Idioma: Español
- Archivos de estado: AVAILABLE
Descargar Gratis Unsung Voices: Opera and Musical Narrative in the Nineteenth Century (Princeton Studies in Opera) de Carolyn Abbate PDF [ePub Mobi] Gratis
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MIRANDA - Del Festin Al Alboroto Forma y Narrativa en El ~ "What the Sorcerer Said", Unsung Voices, Opera and Musical Narrative in the Nineteenth Century, Princeton University Press, 1991, pp. 30-60 [Princeton Studies in Opera, 21]. 3 Cfr. Eduardo Contreras Soto, "Versitos alegres, tonada elegante de Silvestre Revueltas, aspectos históricos y escénicos de El renacuajo paseador" en este mismo volumen.
Tristán e Isolda (ópera) - Wikipedia, la enciclopedia libre ~ Tristán e Isolda (título original en alemán, Tristan und Isolde) es una ópera en tres actos con música y libreto en alemán de Richard Wagner, basado en gran medida en el romance de Godofredo de Estrasburgo.Fue compuesta entre 1857 y 1859 y se estrenó en Múnich el 10 de junio de 1865, bajo la batuta de Hans von Bülow.. Wagner no la llamaba ópera sino Eine Handlung, que se traduce como .
Entre el giro lingüístico y el guiño hermenéutico: tópicos ~ Abbate, Carolyn. 1991 Unsung Voices: Opera and Musical Narrative in the Nineteenth Century; Princenton, Princenton University Press. Agawu, V. Kofi. 1991 Playing with Signs, A Semiotic Interpretation of Classical Music, Princeton, Princeton University Press.
6f2.ReconditeBibliography - Scribd ~ Opera and Narrativity Abbate, Carolyn. Unsung Voices: Opera and Musical Narrative in the Nineteenth Century. Princeton Studies in Opera. Princeton: Princeton University Press, 1991. Abbate, Carolyn and Roger Parker, eds. Analyzing Opera. Berkeley and Los Angeles: University of California Press, 1989. Basevi, Abramo. Studio sulle Opere de .
Música y semántica corporeizada / Epistemus. Revista de ~ Abbate, C. (1991). Unsung voices: Opera and musical narrative in the nineteenth century. Princeton University Press. Adlington, R. (2003). Moving beyond motion: Metaphors for changing sound. Journal of the Royal Musical Association, 128(2), 297–318. Barsalou, L. W. (1987). The instability of graded structure: Implications for the nature of .
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Graduate Students - Department of Music ~ Graduate students in musicology at the University of North Carolina at Chapel Hill come from a wide variety of undergraduate programs, both domestically and internationally. Most enter the program with a Bachelor’s degree, but about one-fifth already have a Master’s … Continued
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